RED ONE MX
The camera that started a revolution in digital cinema, RED ONE has materialized as one of the most significant American inventions of the 21st Century. With over 5 times the resolution of an HD video camera, the RED ONE has earned its rightful place as the successor to 35mm film acquisition. The RED ONE has been responsible for creating thousands of films, from independent to Hollywood blockbuster, as well as a growing impact on the capture of episodic television. In the short span of three years, RED has come to dominate the music video and television commercial landscape. RED ONE MX Camera Body Kit RED ONE MX Body; EVF Viewfinder, EVF Cable 2', Element Technica EVF Mount, Red 5.6” LCD with Red Arm & Cable, Red Cradle, Top Mount x2, Top Handle, Top Handle Extension, 12", 18" & 24" Bars, Bottom Plate, Cheese Plate, Shoulder Dovetail, Battery Plate, 2 x Red Chargers, 6 x Red Brick Batteries, 2 x Audio Cables, 2 x Video Cables, CF Module, 4 x 8GB CF Cards. Red Cradle, 4 x 320GB Drives & Cable. Accessories
| Red Zoom Lenses | | 18-50mm | | 50-150mm | | Arri Zeiss Standard Primes T2.1 | | 16mm, 24mm, 32mm, 50mm, 85mm | | | | Matte Box/ Follow Focus: | | Arri LMB2 3 x 3 "clip-on" with ND 0.6 & 0.3 | | RedRock Matte Box (4x4/4.65) | | RedRock Follow Focus | Chrosziel MB805 Matte Box (4x4/5.65" to 5x5") 3 tray with
top/side flags & mattes
| Chrosziel MB805 Matte Box (4x4/5.65" to 5x5") 2 tray
with top flag
| Chrosziel Studio Follow Focus (2 handles)
| | Filter Kits | | Set straight ND filters 4 x 5.65" - 0.3, 0.6, 0.9, 1.2 | | Set ND Grads 4 x 5.65" - 0.3, 0.6, 0.9 | | True Pola 4 x 5.65 | | True Pola 5 x 5 | | IR-cut 4 x 5.65 | | Monitors | | Astro DM3023 23" Monitor (HD-SDI) | | Sanyo 23" Monitor (HDMI) | | Underwater Housing | | AquaTechnica Underwater 80m Housing more info |
| SENSOR | 14 MEGAPIXEL MYSTERIUM-X™ |
|---|
| PIXEL ARRAY | 5120 (h) x 2700 (v) | | S/N RATIO | 66db | | DYNAMIC RANGE | 13+ stops | | MAX IMAGE AREA | 4480 (h) x 2304 (v) | | LENS COVERAGE | 24.2mm (h) x 12.5mm (v) x 27.3 mm (d) | | DEPTH OF FIELD | Equivalent to S35mm (Motion) lens
Equivalent to 16mm (Motion) lens in 2K RAW | | ACQUISITION FORMATS | 4.5K RAW (2.4:1)
4K RAW (16:9, HD, 2:1, and Anamorphic 2:1)
3K RAW (16:9, 2:1, and Anamorphic 2:1)
2K RAW (16:9, 2:1, and Anamorphic 2:1) | | PROJECT FRAME RATES | 23.98, 24, 25, 29.97 fps @ 4.5K, 4K
plus 50, 59.94fps @ 3K, 2K | | DELIVERY FORMATS * | 4K : DPX, TIFF, OpenEXR (RED RAY via optional encoder)
2K : DPX, TIFF, OpenEXR (RED RAY via optional encoder)
1080p RGB or 4:2:2, 720p 4:2:2 : Quicktime, JPEG
Avid AAF, MXF. 1080p 4.2.0, 720p 4:2:0 : H.264, .MP4 | | MONITOR OUTPUTS | HD-SDI and HDMI with Frame Guides and Look Around
720p RGB or 4:2:2
SMPTE Timecode, HANC Metadata, 24-bit 48Khz Audio | | DIGITAL MEDIA | REDFLASH (CF) Module : (16GB Media)
RED SSD™ (64GB, 128GB, 256GB Capacity) | | REDCODE™ | 12-bit RAW : RC28, 36, 42 Quaity Levels
1-30 fps 4.5K, 4K
1-60 fps 3K
1-120 fps 2K | | AUDIO | 4 channel, uncompressed, 24 bit, 48KHz. | | MONITORING OPTIONS | RED LCD 5" Flat Panel Display
BOMB EVF™ High Definition Viewfinder | | REMOTE CONTROL | USB-2, GPI Trigger | | WEIGHT | 4.6Kg/10lbs. Body only
| | CONSTRUCTION | Aluminum Alloy | | TEMPERATURE RANGES | Operating Range: 0˚C to +40˚C (32˚F to 104˚F)
Storage Range: -20˚C to +50˚C (-4˚F to 122˚F) | | * FROM REDCINE-X | |
For more information, visit www.red.com
Download the latest user manual |
